Q&A: Jillian
Rae
“Wholesome” isn’t a word often associated with musicians
these days. In the case of Jillian Rae, a 28-year-old violinist, singer and
songwriter, the adjective applies. Rae, who grew up in the Iron
Range , became immersed in music at
age 6. After amassing more than two decades’ worth of experience playing violin
in “a bajillion bands,” Rae released her debut LP “Heartbeat” on Dec. 10. A
rollicking mix of folk, rock, and bluegrass, Rae delves deep into romantic
themes with her soulful voice and spirited energy. While Rae does have a day
job, it’s also her passion project: she co-owns and teaches at The Music Lab in
South Minneapolis .
Rae granted Vita.mn her first solo interview in anticipation
of her album release show at the Cedar
Cultural Center
on Dec. 14.
Q: Your bio says you grew up in a music-loving
household. What sorts of sounds were you exposed to and how do they impact the
music you make today?
A: I grew up with divorced parents, so it was kind of
like I listened to two totally different kinds of music. My dad is a big ‘60s
and ‘70s rock listener—Led Zeppelin, the Beatles, Jimi Hendrix, Stevie Ray
Vaughan. He introduced me to that power rock music. The first time I saw
“Spinal Tap” was over at his house. My mom is a more eclectic music listener.
She used to sing back in the day—classic ‘50s and ‘60s music. Then she kind of
got into Aerosmith and Fleetwood Mac and Michael Jackson. It was always hard
for me to pick a favorite band. I genre-hopped a lot on “Heartbeat.”
Q: You’re a multi-instrumentalist. What does each
instrument mean to you and how do you use each one in your music?
A: My first love in life was the violin. At first it
was classical and folk music but then I realized, “I can play other stuff on my
violin and not just the things that are in my music book.” That’s when I
started to play rock ‘n’ roll guitar lead lines on my violin. The violin is the
easiest instrument to play. It’s like an appendage of my body at this point. I
just picked up a banjo a couple months ago. Trying out new instruments for me
is kind of funny because it’s not so comfortable. If I’m going to write a song
using the guitar, I have to put a lot more thought into it and sometimes I’ll
come up with things I just couldn’t come up with using my violin.
Q: A lot of the songs on “Heartbeat” speak to the
theme of love. What experiences inspired the album?
A: Oh, man. We could be on the phone for the rest of
the day! I feel like I’ve lived a few lives by now. It was two lifetimes ago I
had the “love of my life” situation. So I had gone through falling totally
head-over-heels in love and then being totally heartbroken and then kind of
regaining my own individuality and falling in and out of love again after that.
When I was trying to make a collection of songs to put on this record, that was
the common theme. It’s so relatable. I’m an old-fashioned romantic. I’m a fan
of love. Whether you’re going through an awesome time or a horrible time,
you’re getting something out of life that’s more than a stagnant, straight
line.
Q: How did The Music Lab come to be and why is that
an important part of your career as a musician?
A: Without naming names, my friend Josie Just and I used
to teach at a local chain-like music store with studios. We found that both of
us had dreams of opening up our own music school someday. How things were run
at the place we were at prompted us to go for it a little sooner than I had
anticipated. We started out just the two of us teaching. We now have between 10
and 15 different teachers teaching with us. Every teacher we have is a
performing, gigging musician in town and we’re all masters of our instruments.
We provide as many performing opportunities as possible. Even when the work
load gets to be overwhelming, it’s such a good thing to be doing for other
people. You forget that it’s work.
Q: If you won a Grammy, who would you thank in your
acceptance speech?
A: Oh my God! [Laughs] This is definitely
something I’ve never thought about—not that I wouldn’t love to win a Grammy,
but I just feel so disconnected from that industry. The first person I would
have to thank is Eric (Martin), he’s my husband and lead guitar player. I’m
lucky that I’m not alone in this whole band endeavor. Creatively, I’m good to
go, but with all of the behind-the-scenes promotional marketing busywork, he’s my
right-hand man. We’ve been married about three years now. He really is the
perfect life partner for me. There are so many husband-wife duos or husbands
and wives in bands; it’s not something I noticed until I got married, but I’m
thinking, “Ah-ha! That makes a lot of sense.” Because it’s a life thing.
Originally published on Vita.mn in Dec. 2013.
Originally published on Vita.mn in Dec. 2013.